Майсторски клас с Александър Каменаров

Бетовен, Девета симфония и изкуството на оркестровото свирене на тимпани

Майсторският клас на Александър Каменаров е посветен на Девета симфония в ре минор, Op. 125 от Лудвиг ван Бетовен, едно от най значимите произведения в световната симфонична литература.

Основен акцент ще бъде ролята на тимпаните в симфонията. При Бетовен те не са само ритмична основа, а силен драматичен глас в оркестъра. Особено внимание ще бъде отделено на втория дял, Scherzo, където необичайната настройка на тимпаните в октавови фа превръща партията в ярък и самостоятелен музикален мотив.

По време на класа участниците ще работят върху ритмична прецизност, контрол на звука, артикулация, динамика, тремоло, оркестрово слушане и стилово разбиране на Бетовеновия език. Ще се разгледа и балансът между сила, благородство на звука и драматургично присъствие в оркестъра.

Класът е подходящ за ученици, студенти, млади професионалисти и перкусионисти, които искат да задълбочат знанията си върху класическия оркестров репертоар и подготовката за прослушвания.

За активно участие са предвидени само 8 билета, като цената за активен участник е 25 евро. Желателно е музикантите, които се записват за активно участие, вече да имат опит в свиренето на тимпани.

Цената за слушател е 15 евро. Работата с активните участници ще започне в 16:00 ч., а лекционната част, посветена на Бетовен и Девета симфония, ще започне в 18:00 ч.

Всички слушатели са поканени да присъстват и на двете части на майсторския клас.

One of the best and most famous beginners’ books for the development of the classical percussionist. Now translated in 7 languages. The school emphasizes ambidexterity – the strengthening of the weak hand in order to equalize both. The effect is extremely equal hands and better control of the weak hand. The exercises are extremely systematic and allow the gradual mastering and understanding of all the rhythmic figures perfectly.  One of the most useful and proven schools for beginners in the modern world.  The pieces are accompanied by easy piano so kids can perform together.

One of the best and most famous beginners’ books for the development of the classical percussionist. Now translated in 7 languages. The school emphasizes ambidexterity – the strengthening of the weak hand in order to equalize both. The effect is extremely equal hands and better control of the weak hand. The exercises are extremely systematic and allow the gradual mastering and understanding of all the rhythmic figures perfectly.  One of the most useful and proven schools for beginners in the modern world.  The pieces are accompanied by easy piano so kids can perform together.

The Beginners book is written with the purpose of introduction and mastering the Xylophone by the beginner percussionist. Extremely well-distributed as technical exercises and lots of Nice and musical plays, the book ease in the way of mastering the Xylophone. Perfectly selected exercises followed by extremely comfortable plays, training the concept of minimal repetition of hands lead the student to the virtuosity with which the school of Paliev and Bulgaria is known. For easy perception and pleasure of the trainee, the plays are accompanied by Piano.

Pieces for Snare Drum with Piano Accompaniment by Dobri Paliev offers a well-rounded collection for beginner and intermediate percussionists, combining rhythmic precision with musical expression. The progressive difficulty and engaging piano accompaniment make it an excellent resource for students looking to enhance their technical skills and artistry.

Pieces for Snare Drum with Piano Accompaniment by Dobri Paliev offers a well-rounded collection for beginner and intermediate percussionists, combining rhythmic precision with musical expression. The progressive difficulty and engaging piano accompaniment make it an excellent resource for students looking to enhance their technical skills and artistry.

Pieces for Snare Drum with Piano Accompaniment by Dobri Paliev offers a well-rounded collection for beginner and intermediate percussionists, combining rhythmic precision with musical expression. The progressive difficulty and engaging piano accompaniment make it an excellent resource for students looking to enhance their technical skills and artistry.

The Systematic Course for Snare Drum by Dobri Paliev is a comprehensive guide that takes percussionists from beginner to advanced levels, focusing on developing snare drum techniques. Paliev emphasizes ambidextrous hand development, ensuring balanced skill growth in both hands, making it an essential resource for mastering precision and control on the snare drum.

The pieces are written and follow the methodology of the “Beginners Book for Xylophone”. Comfortable written and without confusing the student with unnecessary repetitions of the hands, the four volumes educate both the technical and music aspect of the student's development. All plays are accompanied by piano accompaniment.

The pieces are written and follow the methodology of the “Beginners Book for Xylophone”. Comfortable written and without confusing the student with unnecessary repetitions of the hands, the four volumes educate both the technical and music aspect of the student's development. All plays are accompanied by piano accompaniment.

The pieces are written and follow the methodology of the “Beginners Book for Xylophone”. Comfortable written and without confusing the student with unnecessary repetitions of the hands, the four volumes educate both the technical and music aspect of the student's development. All plays are accompanied by piano accompaniment.

The pieces are written and follow the methodology of the “Beginners Book for Xylophone”. Comfortable written and without confusing the student with unnecessary repetitions of the hands, the four volumes educate both the technical and music aspect of the student's development. All plays are accompanied by piano accompaniment.

A practical book for two timpani and piano, focused on technique, tuning, tone control and musicality. Very useful for developing accurate listening, coordination and expressive timpani playing.

A focused collection for four timpani and piano, developing technique, tuning accuracy, sound control and musical expression through studies that connect precision with artistry.

A beautiful piece for marimba based on a famous Bulgarian multi-vocal folk song. The 13 variations vary as a style between classics and jazz.

Two pieces for vibraphone. Irregular times as well as polyrhythmic figures are included in the pieces making it quite interesting both for the performer and the listener.

Inspired by the music of different Bulgarian regions, the suite has collected various techniques, time signatures and methods for playing the timpani. Dedicated to Prof. Siegfried Fink.

Five part suite for small drum influenced by the diversity of the Bulgarian rhythms. Completely written in uneven times, the performer enriches his knowledge of uneven rhythms. Extremely diverse and interesting play.

The plays are influenced by Bulgarian folklore in different regions of Bulgaria. Diverse as parts and exclusively musical sketches evoke both technical and musical the performers.

Rachenitsa for children percussion ensemble of 7 performers. Level : beginners and advanced.

Rachenitsa is a Bulgarian folk dance that is performed solo, in pairs in a outplay or in groups in a circle called “choro”. The Rachenitsa is in unequal measure 7/16 or 7/8 with two short and one long partitions.

The name comes from a "rachenik”, which means “handkerchief". The player holds a woman's handkerchief in his hand and waves, often with an exclamation of "ihuuuuuu".

Rachenitsa is spread throughout Bulgaria. According to the ethnographic area and style of performance, the main types are: Dobrudzhanski Rachenik, Severniashka (Northern) Rachenitsa, Shopska Rachenitsa, Thracian Rachenitsa and Macedonian Rachenitsa.

Written in the 1990s, "LEGENDS" is a duet with contrasting parts and character. With classic technical techniques for marimba four mallets technique, the author takes us through mysterious, swirling and romantic images. The piece is suitable for chamber music practice by performers who have mastered the basics of marimba four mallets technique.